Reed master Aram Shelton is one of the most prolific avant-jazz composers in the Bay Area, and is bandleader to numerous ensembles, including Marches, Ton Trio, Stratic, and These Are Our Hours, a quintet Shelton put together especially for our inaugural festival last year. He also curates and organizes the Active Music Series, Oakland’s monthly showcase of creative jazz, noise, improv, and more at the Uptown.
Influenced by the free jazz movement, Shelton’s compositions are complex and intricate, with generous sections devoted to improvisations that highlight the strengths and talents of his bandmates. For our Spark Series, Shelton has put together another brand new ensemble, a quartet he’s calling Golden Age. In addition to some new material, Shelton’s Golden Age will also be revisiting an older composition, the Kodachrome Music suite, which he wrote a few years ago after a camping trip to the Kodachrome Basin in southern Utah, a place Shelton describes as “sparse, unpopulated, and beautiful.”
We talked with Aram about his music and the brand new quartet he’s put together for SF Offside.